|
CONTENTS OF VOLUME VIII (1991) NUMBER 1 |
| Richard Earlom (1743-1822) and Boydell's Houghton Gallery by GREGORY M. RUBINSTEIN | 3 |
| Nicoletto da Modena's Late Works Reconsidered by MARK J. ZUCKER | 28 |
| A Study by Pocetti for his Etching of the Way lo Calvary by NICHOLAS TURNER | 37 |
| The Engraver of the First Folio Portrait of William Shakespeare by CHRISTIAAN SCHUCKMAN | 40 |
| Who Took the King of Sweden to Bed? by NADINE ORENSTEIN | 44 |
| A Contract Between George Harlow and William Cribb by SHEILA O'CONNELL | 48 |
|
A Further Note on the Printing and Distribution of Goya's Etchings in Nineteenth-century Spain by NIGEL GLENDINNING |
50 |
| Paula Rego's Nursery Rhymes by SANDA MILLER | 53 |
| The Prints of Cornelis Anthoniszoon by PETER W. PARSHALL | 75 |
| Philip II and the Escorial by JOHN BURY | 77 |
| German Illustrated Broadsheets by JEAN MICHEL MASSING | 83 |
| Illustrated Books in Lyon by JUDI LOACH | 89 |
| Giuseppe Zocchi's Tuscany by BARBARA JATTA | 90 |
| Meryon by DAVID P. BECKER | 91 |
| Gauguin and the School of Pont-Aven by PATRICIA ECKERT BOYER | 98 |
|
NUMBER 2 |
|
| The Prints and Drawings in the Library of Consul Joseph Smith by ANTONY GRIFFITHS | 127 |
| A Lunario for the years 1584‑1586 by Francesco da Volterra and Diana Mantovana by VALERIA PAGANI | 140 |
| Prints after Guercino by STEPHANE LOIRE | 146 |
| Jan van de Velde IV and the Invention of Aquatint by AD STIJNMAN | 153 |
| Christopher Le Brun: Fifty Etchings by COLIN WIGGINS | 163 |
| The Body in Renaissance England by MICHAEL BATH | 184 |
| Guercino and his Engravers by NICHOLAS TURNER | 185 |
| The Mezzotint by ELLEN D'OENCH | 193 |
| French Popular Imagery by DOMINIQUE LERCH | 196 |
| Odilon Redon by STEPHEN F. EISENMAN | 199 |
| Avant-Garde British Printmaking by MARTIN HOPKINSON | 201 |
| UVULAE by BARRY WALKER | 203 |
|
NUMBER 3 |
|
| The Evidence of Offsets in Renaissance Italian Maps and Prints by DAVID WOODWARD | 235 |
| The Young Hollar in Prague: A Group of New Attributions by CRAIG HARTLEY | 252 |
| Nicolaus Braeu and Gillis van Breen: Two Printmakers or One? by JOANEATH SPICER | 275 |
| Sir Christopher Wren and the Head of a Moor by RICHARD GODFREY | 281 |
| White Ink by ANTONY GRIFFITHS | 286 |
| Whistleriana by ALBERT REESE | 291 |
| Sadeler by ISABELLE DE RAMAIX | 302 |
|
Rembrandt's Self-Portraits by MARTIN ROYALTON-KISCH |
304 |
| Rubens Prints at the Fitzwilliam Museum by WALTER LIEDTKE | 308 |
| German Prints and their Public by FRANK WHITFORD | 311 |
| Wilfred Fairclough by PETER BLACK | 313 |
| Nora Unwin by ANNE STEVENS | 314 |
|
Fans by CHRISTOPHER LENNOX-BOYD |
315 |
|
NUMBER 4 |
|
| Kunisada and the Last Flowering of Ukiyo-e Prints by ELLIS TINIOS | 342 |
| French Circus Posters by SEGOLENE LE MEN | 363 |
| Contemporary Lithographs Ltd by ANTONY GRIFFITHS | 388 |
| Relief Printing and the Development of Hayter's Colour Method by PETER BLACK | 403 |
| Beccafumi 'glum & gloomy' by CRAIG HARTLEY | 419 |
| Contemporary British Printers' Chop Marks by SILVIE TURNER | 425 |
| A Biography of Durer by CHARLES TALBOT | 448 |
| Beccafumi by DAVID LANDAU | 450 |
| The Bicentenaire and the Print by ANTONY GRIFFITHS | 452 |
| The Rome of Piranesi by NICHOLAS PENNY | 457 |
| The Armingtons by CAROLYN MACHARDY | 458 |
| John Buckland Wright by IAN LOWE | 461 |
|
Copyright 1984-2003, Print Quarterly. All rights reserved |