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CONTENTS OF VOLUME IX (1992) NUMBER 1 |
| Freud and Auerbach : Recent Work by CRAIG HARTLEY | 3 |
| Jost Amman and the Album Amicorum : Drawings after Prints in Autograph Albums by Ilse O'Dell | 31 |
| Abraham Bloemaert's Series of the Penitents by MARCEL G. ROETHLISBERGER | 36 |
| Denise Boutemie : A Seventeenth-Century Virtuoso by PETER FUHRING | 46 |
| The Etchings of Jane Joseph by MICHAEL PODRO | 56 |
| Notes | 63 |
| Adamo Scultori and Diana Mantovani by VALERIA PAGANI | 72 |
| The World Between Good and Bad by WALTER S. MELION | 88 |
| Rudolfine Printmaking by THOMAS DA COSTA KAUFMAN | 90 |
| Lips by WILLIAM VAUGHAN | 92 |
| Goya and the Satirical Print by MARCIA POINTON | 94 |
| The Martial Face by MARCIA POINTON | 96 |
| A Sociology of Artistic Reputation by GORDON J. FYFE | 97 |
| Confrontations of Form by DEBORAH WYE | 100 |
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NUMBER 2 |
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| The Print Collection of George Clark at Worcester College, Oxford by TIMOTHY CLAYTON | 123 |
| A Love Affair with Lithography : The Prints of June Wayne by PAT GILMOUR | 142 |
| Herrera's Papal Privilegio for the Escorial Prints by CHRISTOPHER L. C. E. WITCOMBE | 177 |
| White Ink by AD STIJMAN | 181 |
| Two Contracts for British Prints by ANTONY GRIFFITHS | 184 |
| Maggi Hambing's Monotypes by FRANCES CAREY | 187 |
| Notes | 191 |
| Peasants, Warriors and Wives by STEPHEN GODDARD | 208 |
| 'Standard Patterns' in Playing-cards by THIERRY DEPAULIS | 209 |
| William Blake's Commercial Book Illustrations by ANDREW WILTON | 211 |
| Tendentious Fun by ROBERT L. PATTEN | 213 |
| A Celebration of Japan by ELLIS TINIOS | 215 |
| Theodore Roussel by MARTHA TEDESCHI | 218 |
| Bonnard and Toulouse-Lautrec by TIMOTHY A. RIGGS | 220 |
| Suprematism by SUSAN COMPTON | 223 |
| Colour in American Printmaking by REBA WHITE WILLIAMS | 224 |
| The Conservation of Prints by MARJORIE B. COHN | 225 |
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NUMBER 3 |
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| On Some Albums of Etchings by Salvator Rosa by ANTONY GRIFFITHS | 251 |
| On Compiling an Album of Etchings by Salvator Rosa by CRAIG HARTLEY | 260 |
| A Northern Source for Mantegna's Adoration of the Shepherds, by FRANCIS AMES-LEWIS | 268 |
| Landscape Prints by Francis Vivares by ELIZABETH MILLER | 272 |
| Two Letters on the Print Trade between London and Paris in the Eighteenth Century by ANTONY GRIFFITHS | 282 |
| Netherlandish Sixteenth-Century Prints in Poland by WALDEMAR DELUGA | 285 |
| Notes | 288 |
| Fifteenth-Century German Engravings by TILMAN FALK | 296 |
| Cornelis Corneliszoon by CLAUDIA SWAN | 299 |
| Manet by JULIET WILSON-BAREAU | 301 |
| American Political Prints by PETER MELLINI | 302 |
| Marcoussis by JANE LEE | 304 |
| Morandi by JENNIFER MUNDY | 307 |
| Whoops! It's a Print Price Annual by LAURA SUFFIELD | 310 |
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NUMBER 4 |
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| Posada's Prints as Photomechanical Artefacts by THOMAS GRETTON | 335 |
| Prints at Saltram by ANTONY GRIFFITHS and CRAIG HARTLEY | 357 |
| Benjamin West, Thomas Rowlandson and William Combe by PRISCILLA WRIGHTSON | 361 |
| Fresh Light on the Calcographic Society by JOHN GAGE | 369 |
| Orlowski and the Beginnings of Russian Lithography by TANYA SZARAJBER | 371 |
| Notes | 380 |
| An Incisive Study of Jacques Callot by SUE WELSH REED | 397 |
| Picturing America by BERNARD F. REILLY, JR | 399 |
| Yoshitoshi by TIMOTHY CLARK | 401 |
| Picasso by PAT GLMOUR | 403 |
| Anthony Gross by PETER BLACK | 409 |
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