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CONTENTS OF VOLUME XII (1995) NUMBER 1 |
| Jan Harmensz. Muller as Printmaker - III : Catalogue by JAN PIET FILEDT KOK | 3 |
| Fifteenth-century Prints in Polish Collections by WALDEMAR DELUGA | 30 |
| Charles Dulac's Suite des Paysages by ELIZABETH PRELINGER | 41 |
| The 'Weyhe Portfolio' by REBA WHITE WILLIAMS | 53 |
| Notes | 62 |
| Jost Amman by TILMAN FALK | 78 |
| Goltzius's Chiaroscuro Woodcuts by CLIFFORD ACKLEY | 80 |
| Matthaeus Merian by DAVID PAISLEY | 83 |
| Fuseli by PETER TOMORY | 86 |
| Blake in Australia by DAVID B. BROWN | 87 |
| Degas Landscapes by PAUL SMITH | 89 |
| French Architectural Books by ALISON SHELL | 91 |
| Botanical Illustration by LINDA PARSHALL | 93 |
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NUMBER 2 |
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| Cranach as Cartographer : The Rediscovered Map of the Holy Land by ARMIN KUNZ | 123 |
| Goya's Etchings after Veláquez by JESUSA VEGA | 145 |
| Two Early Monotypes by Sallaert by TODD D. WEYMAN | 164 |
| Allart van Everdingen's Mezzotint Inculabula by ELIZABETH MANSFIELD | 169 |
| Towards a British Standard for the Print by JOSEPH WINKLEMAN | 179 |
| Notes | 182 |
| The Lepautre Family by HUMPHREY WINE | 194 |
| Art and Industry in the Age of Blake by DAVID WORRALL | 195 |
| Blake and the Illuminated Book by DAVID FULLER | 197 |
| Visual Culture and the July Monarch by PAUL JOBLING | 199 |
| Seurat and Chéret by P. DENNIS CATE | 210 |
| Gustave Baumann by PAMELA D. KINGSBURY | 202 |
| Wood-engraving and Woodcut in Britian by IAN LOWE | 203 |
| A Century of Artists' Books by ELEANOR M. GARVEY | 205 |
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NUMBER 3 |
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| Robert-Menge Pariset : The Difficulties of a Lyon Printseller in the Eighteenth century by SYLVIE MARTIN | 231 |
| Canova and his Printmakers by HUGH HONOUR | 253 |
| Dürer's Treatise on Fortifications in Vasari's Workshop by SHARON GREGORY | 275 |
| Art for All : Was Mencken Right? by CLINTON ADAMS | 279 |
| Notes | 289 |
| Altdorfer by KEITH MOXEY | 298 |
| Printmaking in Renaissance France by EUGENE A. CARROLL | 299 |
| Cornelis Cort by CHRISTIAAN SCHUCKMAN | 303 |
| Hollar by GRAHAM PARRY | 305 |
| Audubon by RALPH HYDE | 307 |
| De Boissieu by ANTONY GRIFFITHS | 309 |
| Klinger by IRENA ZDANOWICZ | 310 |
| Sam Francis by DAVID CARRIER | 313 |
| Spanish Printmaking by NIGEL GLENDENNING | 314 |
| Contemporary Australian Printmaking by PAT GILMOUR | 316 |
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NUMBER 4 |
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| Large Noses and Changing Meanings in Sixteenth-century German Prints by ALISON STEWART | 343 |
| Carl Ludwig Junker and the Collecting of Reproductive Prints by ANNE-MARIE LINK | 361 |
| The Prints of Tony Bevan by JAMES HYMAN | 375 |
| Notes | 392 |
| The Renaissance Print by HENRI ZERNER | 405 |
| Domenico Tempesti by MAXME PRÉAUD | 408 |
| The Pepys Library by ANTONY GRIFFITHS | 409 |
| James Walker : A British Engraver in Russia by DAVID ALEXANDER | 412 |
| The Katsukawa School by ELLIS TINIOS | 414 |
| The Fortunys by JESUSA VEGA | 416 |
| Prints in the Great War by BRUCE DAVIS | 417 |
| British Book Illustrators by PAUL GOLDMAN | 420 |
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