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CONTENTS OF VOLUME XIII (1996) NUMBER 1 |
| An Album of Print c. 1560 in the British Library by ANTONY GRIFFITHS and ANNE PUETZ | 3 |
| Prints for a Monastery in Kiev byWALDEMAR DELUGA | 10 |
| The Sites of Whistler's Venice Etchings by ALASTAIR GRIEVE | 20 |
| Theo Tremblay and Aboriginal Prints by MICHAEL DENHOLM | 39 |
| Captain Baillie and 'The Hundred Guilder Print' by NICHOLAS STOGDON | 53 |
| Notes | 57 |
| Ephemeral Architecture by JAMES STEVENS CURL | 69 |
| Almanachs under Louis XIV by JENNIFER MONTAGU | 71 |
| Francesco Londonio by ROBERTA J. M. OLSON | 73 |
| Nolde by JILL LLOYD | 77 |
| Louise Borgeois by HILARIE FABERMAN | 79 |
| Contemporary British Art in Print by FRANCES CAREY | 82 |
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NUMBER 2 |
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| Beatrizet and the 'Reproduction' of Antique Relief Sculpture by MICHAEL BURY | 111 |
| A Booklet of Etchings by Guiseppe Caletti by VALERIA BARBONI and ENRICO CORTONA | 127 |
| The Marketing of Gilt Leather in Seventeenth-century Holland by ELOY KOLDEWEIJ | 136 |
| Prints from Goluchów Rediscovered by NICHOLAS STOGDON | 149 |
| Notes | 181 |
| German Renaissance Prints by PETER PARSHALL | 197 |
| Aldegrever by STEPHEN GODDARD | 201 |
| La Bella Maniera by SUZANNE BOORSCH | 204 |
| Prints and Wedgwood by RALPH HYDE | 208 |
| Van Gogh by MARTIN BAILEY | 211 |
| Linocuts of the Machine Age by PATRICIA AINSLIE | 213 |
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NUMBER 3 |
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| Guercino and Pasqualini's Working Proofs by NICHOLAS TURNER | 239 |
| Hogarth and the Comic Muse by RUTHAN MCNAMARA | 251 |
| The Influence of Picasso on American Printmakers by REBA and DAVE WILLIAMS | 259 |
| A Note on Ribera as an Engraver by GABRIEELLE FINALDI | 287 |
| The Prints of the Calcografia Camerale at the Biblioteca Casanatense by VALERIE PAGANI | 291 |
| Notes | 305 |
| The Master E.S. by HOLM BEVERS | 316 |
| The Baur Collection by Timothy Clark | 323 |
| The Prime Ministers by ALAN FERN | 325 |
| Paper Soldiers by TIM CLAYTON | 327 |
| Picturesque America by SALLY PIERCE | 328 |
| Representing America by REBA WHITE WILLIAMS | 331 |
| Martin Lewis by ANTONY GRIFFITHS | 333 |
| Printmaking in America by PAT GILMOUR | 334 |
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NUMBER 4 |
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| Wounteel, de Passe and the Anglo-Netherlands Print Trade by ROBERT A. GERARD | 363 |
| The Great Depression and the Prints of Blanche Grambs by JAMES WECHSLER | 376 |
| Notes on Giulio Campagnola's Prints by PAUL HOLBERTON | 397 |
| Lorenzo Tiepolo's St Charles Borromeo Venerating the Crucifix, by SUZANNE BOORSCH | 401 |
| Toulouse-Lautrec's Two Stamps by STANFORD L. OPTNER | 411 |
| Diego Rivera's The Communicating Vessels by STARR FIGURA | 413 |
| Notes | 415 |
| Self-portraiture in the German Renaissance by CHARLES TALBOT | 421 |
| Graven Images by CHRISTOPHER WHITE | 422 |
| The Post-Pre-Raphaelite Print by ROBIN DE BEAUMONT | 426 |
| Whistler by ALASTAIR GRIEVE | 429 |
| Reading Iconotexts by THOMAS GRETTON | 430 |
| The Anatomy of Colour by JOHN GAGE | 431 |
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