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CONTENTS OF VOLUME XVII (2000) NUMBER 1 |
| Borghini's Print Purchases from Giunti by ELIANA CARRARA and SHARON GREGORY | 3 |
| Manet's Portrait-charge of Emile Ollivier by THERESE DOLAN | 17 |
| Anselm Kiefer as Printmaker - II Alchemy and the Woodcut, 1993-1999 by JAMES HYMAN | 26 |
| The Print Collection of Ferdinand Columbus by MARK P. MCDONALD | 43 |
| Notes | 47 |
| Dürer and his culture by BARBARA BUTTS | 65 |
| Italian Masters of the Sixteenth-century by D. STEPHEN PEPPER | 67 |
| Painting and Prints in Andalusia by SUZANNE STRATTON-PRUITT | 73 |
| De' Rossi by PETER FUHRING | 74 |
| Popular Prints in England by MORRIS MARTIN | 82 |
| The 'Alchemist of Mezzotint' by SARAH HYDE | 83 |
| The Magic Lantern by ALBERTO MILANO | 85 |
| Blake by MICHAEL PHILLIPS | 86 |
| Munch by MARTIN HOPKINSON | 89 |
| Psters from Austria and Germany by JEREMY AYNSLEY | 91 |
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NUMBER 2 |
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| 'The Print in Stuart Britain' Revisited by ANTONY GRIFFITHS | 115 |
| Marcel de Serres: Documents on Early Lithography by TANJA SZRAJBER | 123 |
| William Monk's Calendar: Time to Say Goodbye by RALPH HYDE | 132 |
| Documents on Antonio Salamanca by VALERIA PAGANI | 148 |
| Pastocowell: Anthony Gross's Illustrations for The Forsythe Saga by FELIX POLLACK | 156 |
| Notes | 165 |
| Anthony Van Dyck by SIMON TURNER | 190 |
| Rembrandt by IRENA ZDANOWICZ | 193 |
| Napoleonic Legends by LEAH KHARIBIAN | 196 |
| Arthur Wesley Dow by NANCY FINLAY | 198 |
| Prints in Weimer Germany by MARTIN HOPKINSON | 200 |
| The Albertina by ANTONY GRIFFITHS | 202 |
| The Royal Society of Painter-Printmakers by IAN LOWE | 204 |
| Mythological Prints by JERZY MIZIOLEK | 207 |
| Gwathmey by REBA WHITE WILLIAMS | 209 |
| Multiple Beuys by CHRIS THOMPSON | 214 |
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NUMBER 3 |
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| Print Publishing in Venice in the Second Half of the Sixteenth-century by GERT VAN DER SMAN | 235 |
| Ploos can Amstel's Mark by ELMER EUSMAN | 248 |
| The Prints of Benjamin Read, Tailor and Printmaker by RALPH HYDE and VALERIE CUMMING | 262 |
| A Matham Virgin in Kiev by WALDEMAR DELUGA | 284 |
| Notes | 288 |
| Polish Posters and the Western by KRYSTYNA MATYJASKIEWICZ | 312 |
| Meryon by MARTIN HOPKINSON | 314 |
| Caulfield, Roth, Ruscha and Serra by PAT GILMOUR | 315 |
| Ian Hamilton Findlay by CATHERINE MOONEY | 320 |
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NUMBER 4 |
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| Matthäus Greuter's Engravings for Petrarch's Triumphs by EDITH WYSS | 347 |
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The Angel's Wing that Wasn't Old Master Paintings and Eighteenth-century Mezzotints by NATALIA PARSHINA |
364 |
| Database Design and Management for the Columbus Print Collection Project by MARK P. MCDONALD | 374 |
| Prints, drawings and a Turner in John Raphael Smith's Will by ELLEN G. D'OENSH | 381 |
| The Use of Paper Splitting in Old Master Print Restorations by JUDITH WALSH | 383 |
| Notes | 391 |
| Early Italian Prints in Paris by MARK ZUCKER | 412 |
| The Dutch Golden Age by CHRISTOPHER WHITE | 414 |
| Piranesi by ANDREW ROBISON | 415 |
| The Etching Revival in England by PAT GILMOUR | 420 |
| Sickert by WENDY BARON | 425 |
| Rops by RICHARD THOMSON | 427 |
| Van Gogh to Mondrian by STEPHEN GODDARD | 429 |
| Print Renaissance in Winsconsin by JOSEPH RUZICKA | 432 |
| Winters by KARIN BREUER | 436 |
| The Apocalypse by PETRA ROETTIG | 439 |
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