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NUMBER 1 |
| Illustrating Books with Engravings: Plantin's Working Practices Revealed by KAREN BOWEN | 3 |
| The Cries of London by Paul Sandby and Thomas Rowlandson by MARK ELLIS | 34 |
| Wordless Novels in Woodcuts by DAVID A. BERONÄ | 61 |
| Notes | 73 |
| Goltzius and Sculpture by NANCY BIALLER | 89 |
| Japanese Prints and the Allied Occupation by DONALD JENKINS | 90 |
| Wood-engraving Now by JOANNA SELBORNE | 92 |
| Hiratsuka by LAWRENCE SMITH | 99 |
| Toledo by DAWN ADES | 101 |
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NUMBER 2 |
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| New Light on Battista del Moro as a Printmaker by MICHAEL BURY | 123 |
| Samuel Woodburn by SIMON TURNER | 131 |
| John Edgar Platt and the Society of Graver-Printers in Colour by HILARY CHAPMAN | 145 |
| Richard Godfrey (1945-2003) by NICHOLAS STOGDON | 159 |
| Notes | 162 |
| Humour and Folly in Early Prints by MALCOLM JONES | 181 |
| Breu the Elder by BRIDGET HEAL | 183 |
| Colour in Northern Renaissance Prints byETER PARSHALL | 185 |
| The British School at Rome by IAN LOWE | 189 |
| The Floating World of Ukiyo-e by ELLIS TINIOS | 192 |
| Chasseriau by JAY M. FISHER | 193 |
| Kollwitz by AYA SOIKA | 197 |
| Rockwell Kent by JAKE MILGRAM WIEN | 203 |
| To Excite the Eyes by DAVID ROBINSON | 208 |
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NUMBER 3 |
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| Burgkmair's Woodcut Frieze of Natives of Africa and India by MARK P. MCDONALD | 227 |
| An Unusual Print by Giulio Bonasone by STEPHEN BERGQUIST | 245 |
| How to Decorate A Room with Prints, 1674 by MALCOLM JONES | 247 |
| A Source for Goya's Disparate volante by ROBERT G. LA FRANCE | 249 |
| Richard Josey and Charles Augustus Howell by MARTIN HOPKINSON | 254 |
| Notes | 262 |
| Dürer by JEFFREY CHIPPS SMITH | 287 |
| Venetian Prints by MICHAEL BURY | 289 |
| Bresdin by TED GOTT | 290 |
| Henri Van Straten by DAVID A. BERONÄ | 293 |
| The Chicago Society of Etchers by MARTHA TEDESCHI | 298 |
| Wadsworth by JONATHAN BLACK | 301 |
| Bridget Riley by PAT GILMOUR | 306 |
| The Big Americans by JEREMY LEWISON | 311 |
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NUMBER 4 |
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| The Prints of the Brotherhood of Ave Maria by MARIA CRUZ DE CARLOS | 335 |
| The Medici Collection of Engraved Plates by ALESSANDRA BARONI VANNUCCI | 349 |
| Jewish Printed Amulets by WALDEMAR DELUGA | 369 |
| The Contract for The Grand Attack on Valenciennes by ANTONY GRIFFITHS | 374 |
| Paul Sandby and the Secrets of Aquatint by MARTIN HOPKINSON | 380 |
| Notes | 383 |
| Prints in the Medieval World by DAVID KUNZLE | 405 |
| Pollaiuolo by DAVID LANDAU | 408 |
| Printmakers in the Age of Humanism by MARK P. MCDONALD | 412 |
| Writing on Hands by JEAN MICHEL MASSING | 415 |
| Italian Chiaroscuro Woodcuts by MICHAEL BURY | 418 |
| Whistler in Glasgow and New York by MARTIN HOPKINSON | 420 |
| Kees van Dongen by EMMANUEL PERNOUD | 426 |
| Personal Encounters with Artist-illustrated Books by MARILYN SYMMES | 428 |
| Ron King and the Circle Press by STEPHEN BURY | 434 |
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Copyright 1984-2003, Print Quarterly. All rights reserved |