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NUMBER 1 |
| Proofs in Eighteenth-century French Printmaking by ANTONY GRIFFITHS | 3 |
| The Printing of Blake's America a Prophesy, by MICHAEL PHILLIPS | 18 |
| Thoughts and Recollections by ALLEN JONES | 39 |
| The Source for the Rhinoceros, by JIM MONSON | 50 |
| More Spencer Albums by MARJORIE COHEN | 54 |
| Notes | 58 |
| Prints and Painting in Renaissance Scotland by DUNCAN THOMSON | 75 |
| Eighteenth-century London by MIREILLE GALINOU | 77 |
| Russian Avant-garde by SUSAN P. COMPTON | 79 |
| Munch by ELIZABETH PRELINGER | 81 |
| The British Wood-engraving Revival by JOANNA SELBORNE | 84 |
| Chicano Posters by CATHERINE FLOOD | 94 |
| Chinese Woodcuts by NAOMI PEARS | 96 |
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NUMBER 2 |
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| On Counterproofs by MARIE-CHRISTINE SEIGNEUR | 115 |
| Floriano Vecchi and the Tiber Press by RIVA CASTLEMAN | 127 |
| Beck or the Petrarch Master by GUIDO MESSLING | 146 |
|
A Source for Rembrandt's Beheading of St
John the Baptist, by JACO RUTGERS |
154 |
| A Galestruzzi Rediscoverd by STEPHEN A. BERGQUIST | 156 |
| Notes | 159 |
| Prints in Manuscripts by RICHARD S. FIELD | 182 |
| German and Austrian Ex-libris by BENOÎT JUNOD | 189 |
| Collecting Prints in Germany by CHRISTIAN RÜMELIN | 190 |
| Braquemond by MARTIN HOPKINSON | 193 |
| Kirchner by AYA SOIKA | 195 |
| Vieillard by PETER BLACK | 199 |
| Blickpunkt 1926 by JEREMY AYNSLEY | 201 |
| Benjamin Miller by JAKE MILGRAM WIEN | 204 |
| Hodgkin by TESSA SIDEY | 208 |
| Editions Alecto by JEREMY LEWISON | 212 |
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NUMBER 3 |
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| Prints and False Antiquities in the Age of Raphael by MADELEINE VILJOEN | 235 |
|
Joseph Pennell and the Art of Transfer
Lithography by LINDA STIBER MORENUS |
248 |
| Political Prints in Singapore by LIM CHENG TJU | 266 |
| Prints from the Pochayiv Monastery by WALDEMAR DELUGA | 282 |
| Notes | 289 |
| Prints and the Upper Rhine by JEAN MICHEL MASSING | 328 |
| Illuminating the Renaissance by MARK P. MCDONALD | 331 |
| Colour Prints in Eighteen-century France by JOHN ITTMAN | 338 |
| American Botanical Prints by GILL SAUNDERS | 340 |
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NUMBER 4 |
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| Marcantonio's Lost Modi and their copies by JAMES GRANTHAM TURNER | 363 |
| The Workshop of Pere Abadal by IMMACULADA SOCIAS | 385 |
| Myrioramas, Endless Landscapes: The Story of a Craze by RALPH HYDE | 403 |
| Meryon at Chantilly by ANTOINE CAHEN | 421 |
| Notes | 431 |
| Prince Cesi, Galileo and Modern Natural History by PAMELA H. SMITH | 461 |
| Views of Schwalbach by MARGARETHA KRÄMER | 463 |
| Rudolf Meyer by PETER PRANGE | 465 |
| Images of Don Quixote by STEPHEN BOYD | 467 |
| Giovanni David by F. CARLO SCHMID | 469 |
| Kawamura Bumpō by MELINDA TAKEUCHI | 472 |
| Japanese Printmaking in Context by JULIE NELSON DAVIES | 475 |
| Vouloir, by MARTIN HOPKINSON | 477 |
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Copyright 1984-2006, Print Quarterly. All rights reserved |